People, Pets & Art

A model of creative and cultural enterprise that initiates, establishes, and maintains a community of practice in regional areas through hands-on visual art workshops.

About the project

The Pet Project was established in Hobart, Tasmania in 2020 in response to Covid-19.

The pandemic has had a significant negative impact on individual well-being, social cohesion and community participation in the arts. The creative sector has also been delivered a severe economic blow and faces a long road to recovery.

In particular, remote or regional communities are now met with uncertainty and increased mental health issues. Artists, especially those working in regional Tasmania, have faced compromised travel, exhibition, sales, and employment opportunities.

The Pet Project addresses both a demand for public engagement with art practices to support well being, and a need to provide direct employment, mentorship, resources and ongoing support for artists in regional areas.

We have developed a model of creative and cultural enterprise that initiates, establishes, and maintains a community of practice across regional Tasmania through hands-on visual art workshops. We bring disconnected, isolated, and disparate members of the community together using art-based methods and pet companionship as universal and binding themes.

The Pet Project builds sustainability mechanisms into different communities through:

  • social and cultural imperatives

  • training, learning and skill development opportunities for the general community, and emerging and established artists;

  • creative safe spaces where diversity, lived experience and knowledge is celebrated

  • the integration of a diverse network of industry partners and stakeholders.

 In the wake of traumatic scenarios such as the pandemic, promoting creativity and culture as a sustaining strategy that cares for relationships within communities fosters resilience, inclusivity, equity, and overall health and sense of being—all of which are necessary components in moving toward increased sustainable futures.

What participants think

We have conducted workshops across regional Tasmania. This is what participants think:

  • 95% have stated they enjoyed the workshops; 81% of participants have never done a similar workshop; 96% would do it again; and 88% strongly agree they feel inspired throughout the day of painting

  • 89% of participants have rated the outcomes of the workshop as excellent as has 87% in relation to the hands-on activities; and 96% have declared they would do it again even if offered in a different medium

  • 96% of participants have agreed that the workshops help them feel more connected to their community and 94% feel comfortable during the semi-structured interviews we conduct (the interview aims to allow participants a chance to reflect on the relationship with their pet which adds layers of meaning that further influences the creative process)

  • 88% of participants say that the best outcome from the workshop is a finished painting

Our community of practice

The project team

Meg Keating

Dr. Meg Keating is Professor and the Head of School at the School of Creative Arts and Media—University of Tasmania. Meg is a multidisciplinary artist, crossing installation, animation, and paper cutting. Her practice explores new ways of experiencing and viewing our immediate environment especially through screen-based technologies. Her practice is an interdisciplinary synergy between creative arts and media with a particular interest in imaging the environment and in surveillance studies.

Niklavs Rubenis

Dr. Niklavs Rubenis is a designer and maker focused on craft, design, ethics, and people. He has been involved with projects spanning community, non-profit, commercial, and cultural institutions, and has had work presented and exhibited nationally and internationally. Select funded collaborative projects focused on issues of waste include Object RealitiesCrafting WasteObject Therapy and Transformative Repair. Niklavs has a trade in cabinet making, holds a BA Visual Arts (Honours), and a PhD from the Australian National University. He is currently Coordinator of Design, Coordinator of Object + Furniture and Senior Lecturer at the School of Creative Arts & Media—University of Tasmania. Niklavs serves on the board of the World Crafts Council—Australia, and is a member of the Coordinating Committee for Global Climate Change Week.

Steven Carson

Dr. Steven Carson is currently Graduate Research Coordinator (Art) and Lecturer in Art, School of Creative Arts and Media—University of Tasmania. Steven’s art practice incorporates sculpture and mixed media installations, and he has also presented exhibitions using ceramics and photography. His current work explores materiality and process within the conceptual context of the everyday, specifically examining visualisations of tension and instability arising from daily life.

Andy Terhell

Andy is a passionate digital content creator interested in factual filmmaking in the fields of environment, science, adventure and sport. Andy’s current projects include Tartarus, a film about the Southern Tasmanian Caverneers exploring Australia’s deepest caves and Lake Malbena, a documentary about the proposal to fly helicopters into a standing camp in Tasmania’s Wilderness World Heritage area

Our supporters